Behind The Pane
Behind the Pane examines the city as a site of continuous observation, where windows act as thresholds between exposure and concealment.
Drawing from moments glimpsed in passing, the work assembles fragments of lives that were never meant to be seen. Text and image operate together as partial records, shaped by distance and framing.
The work resists full access. What appears is conditioned by position, timing, and separation. The observer remains external, yet implicated in the act of looking.